
Saturday's Scene always has been the place for reviews of restaurants and music. Now we've also got the best fashions, housewares and bargains.
celebrating the culture and character of one of America's most underappreciated cities: Louisville, Kentucky
Saturday's Scene always has been the place for reviews of restaurants and music. Now we've also got the best fashions, housewares and bargains.
A few days ago, the crack TSA folks at Logan International Airport in Boston arrested at gunpoint a 19 year old MIT student for coming to the airport to pick up her boyfriend while wearing a t-shirt with a blinking computer panel on it. Note that she was not trying to get on a plane, just trying to pick up her man; she was, in fact, outside the terminal.
Star Simpson had come to the airport before school. She'd worn the shirt to show off her talents with circuitry because it was Career Day. On the back of the shirt it read: "Socket to Me" and "Course VI," MIT shorthand for the electrical engineering/comp sci combined major-- so basically her resume. She's an electronics expert, and she's even received a Congressional citation for her work in robotics. Did I mention that she is 19?
While she was standing outside the terminal, Simpson was approached by an armed trooper who was later joined by another trooper armed with a submachine gun. State Police Major Scott Pare, the airport's commanding officer said after she was arrested, "She’s lucky to be in a cell as opposed to the morgue."
In response to folks who insisted that the troopers did the right thing and that we should all feel lucky to have these hyper-vigilant security guys on the public payroll, Will Femia says in his Clicked column: "I might feel luckier if I thought they had the ability to recognize an actual bomb and not just freak out over everything that looks like a red wire/blue wire suspense scene from a Die Hard movie. God forbid another Shoey Shoebomber strolls through while everyone is dazzled by blinking lights."
In Loueyville news, Roommate has returned from nearly three weeks away and on Monday I helped him take back his rental car to the Louisville International Airport (SDF). I told him I'd wait in the passenger pick-up area (too cheap to pay the $1 parking fee), and if the security dudes came by and asked me to move on, I'd just keep "making the loop" until Roommate was ready.
Venerable Old Jalopy has been giving me some headaches lately. And while I idled in park right outside of baggage claim, Jalopy decided to act up. When Roommate finally showed up after 15 minutes or so (no security telling me to move on), I went to slip the shift into drive... and couldn't. He started up just fine, but no budging the shift from park.
Start it up-- mash the break-- try to shift. Nope. Over and over.
After some time, Roommate reasoned that if he disconnected the battery, the car may "reset" and forget that it hated me. So as I'm making phone calls to various VW help lines, Roommate is using my big Roadside Assistance Tool Kit to fiddle around with wires and plugs under the hood.
Finally, after three different calls to three different Volkswagen entities, a kind woman at the roadside assistance center informed me that, essentially, Jalopy has a “cheat code” to bypass whatever weird virus is causing his refusal to shift out of park. (Why is my car like an xBox game??) After two tries, Jalopy concedes, and we hit the road around an hour or so after I’d arrived at SDF.
I’m not complaining, necessarily; in my fragile, annoyed, and panicky state the last thing I needed was to be harassed by the Airport Fuzz. At Louis Armstrong International in New Orleans, even before 9/11, if you so much as shifted your car into park while you were waiting for an arriving passenger, you’d be visited by airport security and treated to a rap on the window and the admonition to “move along.”
A Louisville International? Bupkus.
Should it concern me that in the hour or so that the Jalopy vs. Lou & Roommate war raged on in the arrivals lane, a casual observer would have noted:
Methinks yes. It should concern me.
For all you VW Bug drivers, the cheat code is: Press the break 5 times, and on the fifth time hold it down. Turn the key ¼ turn and drag the gear shift to some phantom place between Neutral and Drive (this is hard to do). Then turn the key all the way and shift immediately into Drive. It works. It’s just hard.
that's a job that humans are either too big or too weak to perform. So (we could
have) a bunch of cockroach-sized robots that can look for signs of life and then
relay their findings to maybe rat-sized robots. They would analyze the structure
and figure out the right way to remove the debris, and then they relay their
instructions to a bunch of brontosaurus-sized robots who would then do the hard
work and heavy lifting.
It’s worth noting that, bored, two nights before Karen Walker’s event, I watched the last two episodes of last year’s “America’s Top Model” back-to-back. I’d never seen it before. Actually, I watched the first episode and during the second episode when my favorite, Renee was disqualified for looking “too old,” (SERIOUSLY? She’s 20 years old!! She can’t even drink!! Yes, she’s a mom, but holy cow…) I let TiVo do its thing and only watched to see who won (thank goodness it wasn’t Natasha—what did they see in her? Jaslene was a godawful choice too—if she weighed 90 lbs, I’d be surprised, but she was better than the plastic-y Natasha).
I bring this up because after Karen Walker’s talk was over, a journalist who works for Wired Magazine asked her about the growing sentiment in the fashion world that runway models shouldn’t be too thin. And she totally flubbed the answer. I was nuts about her until she was forced to face that issue and the best that she could come up with was: “we hire models that make the clothes look good.” I thought it was a daring question—frankly one of the best audience questions I heard during the Idea Festival (where many questions were posed by people who’d clearly not been listening or by folks who had agendas). During her speech, a montage of her fashion shows played on screens behind her, and what made me nuts about her was the fact that she designed clothes that even I would be interested in wearing. But those clothes that I—short and less-than-svelte—could wear were on decidedly scrawny girls.
Karen Walker got her start eighteen years ago with $70 by designing a shirt and consigning it at a local boutique in New Zealand. Now she’s showing her collections at NY’s Fashion Week and at Fashion Weeks in London and Paris and Milan. She has a line of eyewear, jewelry, paint colors, and a lifestyle line. And her speech focused on the Karen Walker brand, and how despite the volatile nature of the fashion industry, she’s managed to build her brand and stay true to her vision. She was, in short, (and despite my feelings about her lack of answer to the model question) an ideal model for any entrepreneur.
Her speech outlined, basically, her secrets to success. The eight points were:
At the end of How the Grinch Stole Christmas, there’s that wonderful moment when, after witnessing the Whos’ selflessness and love in the face of adversity, the Grinch is reformed. And his little red heart grows and grows (three sizes) and finally bursts the cartoon x-ray screen.
This weekend my cartoon brain (symbolized by a lightbulb or maybe a complicated drawing of gears and bolts) exploded. Or perhaps I should phrase that in the passive voice: my cartoon brain was exploded by the 2007 Idea Festival, a three days of events here in Louisville featuring some of the Biggest Brains from all over the world.
I was like a little kid when I got the email from the Courier-Journal a week or so ago telling me that I’d won a drawing for a free all-access pass to the Idea Festival. I’d (surprise, surprise) put off getting tickets to the events, many of which were free, so long that most of them had sold out. Not to mention that the keynote event, a night with Ray Bradbury, was out of my price range at $75 a pop. I quickly emailed them back and said I wanted a ticket for every event on Saturday, and every event after school on Thursday and Friday. And then I spent the remaining days before the opening of Idea Festival in giggly, nerdy, woo-hoo anticipation of the Festival.
That Louisville is the host of this event (this is its second year in Louisville; it spent its three incarnations in Lexington) is extraordinary. You’d expect this kind of gathering of diverse, cutting-edge thinkers in a “world class” city like NYC, LA, or Chicago. The Kentucky Science & Technology Corporation (a 20 year old institution) nurtured this event and Idea Festival founder Chris Kimmel has grown the event so that this year there were more than 15,000 tickets sold. Most events took place at the Kentucky International Convention Center which looks like crap from the outside, but is well appointed inside.
This year’s title sponsors, the Geek Squad, were ubiquitous in their pocket-protectored, penguin-Beetle driving, cheeky “Agent #”-named glory. Karen Walker, New Zealand fashion designer focused her speech not on “The Meaning of Fashion,” as was advertised, but on the importance of “branding.” I tell you, Geek Squad has it down for their audience. Perhaps not the true techno-geeks, but the wanna-bes like me. (Nice to note that the web page homepage features a photo of a female geek. Seemed like there weren’t many She-Geeks in attendance. Geek Squad had a Geek Squad Beetle on display in the lobby of the convention center—wish I had a picture—and on it you were supposed to post sticky notes with your Big Ideas. I stopped myself from posting “Hire more Girl Geeks!”)
Before I get into individual events, my general thoughts:
Randal Myler and Dan Wheetman culled some thirty songs from the wealth of music
inspired and created by the Americans of Appalachia. Folk music, which includes
traditionals, blues and bluegrass, has been in renaissance in recent years
thanks to the success of movies like O Brother, Where Art Thou? and the release
of several compilations including “Kentucky Mountain Music.” Like most folk
music, every song in Fire on the Mountain tells three stories—the story in the
song, the story behind its creation and the story the performer wants to share.